Showing posts with label Sta-Rite. Show all posts
Showing posts with label Sta-Rite. Show all posts

Wednesday, October 1, 2025

Stay Bilt Well, My Friend . . . and Sta Rite

Dan Schenkein reached out to me in July after he stumbled across a little hoard of new old stock Biltwell pencils, most of which were still wrapped in tissue paper that was printed as instruction sheets.


He didn’t need all of them, he told me, and he wondered if I could use any of them. Sure, I said . . . one to keep preserved as it is, and a second one that I could unfurl the delicate paper to see if there was any information worth noting printed on them.


It was delicate work since the paper is in such poor condition. Eventually, I was able to get it flattened out enough to at least make out the words:


I was really hoping there would be a manufacturer’s name or address, but no such luck – in fact, I already knew more than this paper told me from when I stumbled across the Biltwell trademark registration in the course of writing American Writing Instrument Trademarks 1870-1953.


Edmund R. Rodriguez, a Mexican national doing business as the Biltwell Pencil Company in New York City, applied to register the Biltwell name on August 30, 1928 and he was granted registration number 260,408 on August 20, 1929. Rodriguez’s address was 1201 Broadway, New York, and he claimed that he first used the Biltwell name in May, 1928. 

The Biltwell is enigmatic; so many have survived that you would expect to find a wealth of information concerning where and when they were sold, but I found only one solitary reference in newspapers, advertising “The 1931 Biltwell Pencil” in the Lincoln (Nebraska) Journal Star on August 31, 1931, without any helpful artwork or other information.


Other than a few directory listings between 1928 and 1933, I haven’t found out anything else about the company. Pencils were lower quality, with a “Welsh style” nose drive mechanism pushed into the open end of the barrel. Clips are ordinary z-clips, lead size is a normal 1.1mm-ish lead, and there’s enough slop in the mechanism that there’s always a bit of wobble.

Still, they occur in a wide variety of pretty colors and many of us had fun chasing them down when we were new to the hobby, myself included. I always keep the pencils I acquire for archival purposes, so I can show you a nice range of the Biltwell pencils that are out there.



The first image shows Biltwell pencils with the nose cone that slips over the stepped-down end of the barrel, while in the second image the nose is butted up against the end of the barrel. In my experience, the latter seems to be more common, but I don’t know which is earlier. The latter group also has the word Biltwell spelled out in the script matching the trademark registration.


This next group of Biltwell-marked pencils do not appear to beAmerican-made. The top three have a German look to them, and the example at bottom is made from a “howling souls” sort of plastic normally found on Japanese novelty pencils.


This next group is a little later. Rounded tops became fashionable after the popularity of the Sheaffer Balance took off in the late 1920s, so these might date to 1930 or a bit later.


Some of these are really nice, especially that burgundy and gold. At bottom, note the sample imprint for the Kemper Thomas Company of Cincinnati, Ohio. Kemper Thomas was primarily a calendar company that sourced rather than manufactured the pencils it offered - See “The Company I Misjudged” (November 29, 2014: Volume 3, page 120).


During the 1930s, the Biltwell evolved into something that strongly resembles a Parker Parkette or Parco.



Other than outward appearances, I don’t think there’s enough evidence that Parker was responsible for making these. Here is that bottom example of the Biltwell alongside a Parker Parkette and a Parco; the color is different, and note the absence of telltale Parker dimples around the nose cone. Also, what’s inside doesn’t match.


Who knows, though – maybe some evidence will surface later to implicate Parker in the manufacture of these later Biltwells. In the meantime, though, that green Biltwell provides a more solid lead: “Compliments of / Improved Pencil Co. / Providence, R.I.”


The Improved Pencil Company was an actual manufacturer, rather than a producer or reseller. In “”Two Puzzling Details” (October 20, 2018: Volume 5, page 279) I wrote about the Improved Pencil Company’s flagship production: the “Sta-Rite.” Earlier Sta-Rite pencils were metal crown-top affairs made to generally resemble an Eversharp, but in that earlier article I showed those as well as some slightly later plastic models – and those are so telling that I think they answer the question.


I think the Improved Pencil Company manufactured the Biltwell for the Biltwell Pencil Company. While the Improved Pencil Company is listed in a few manufacturer’s directories, the Biltwell Pencil Company is not. Improved clearly made the Sta-Rite, and those large, plastic Sta-Rite pencils are dead ringers for those earlier Biltwell pencils. I think that is enough evidence to reasonably draw this conclusion.

The Improved Pencil Company, as detailed in that previous article, was established in 1922. By 1926, the firm was located at 158 Pine Street in Providence, Rhode Island, and in 1933, the Improved Pencil Company moved into a factory at 581 Pawtucket in Pawtucket, Rhode Island – the former location of the Tri-Pen Manufacturing Company, makers of Triad pens and pencils.

In “Death and Transfiguration Part I: The Death of Triad” (February 28, 2013: Volume 2, page 70), I noted that when Improved moved in, Tri-Pen disappeared; the open question, however, was whether the Improved Pencil Company picked up the ball and made “lesser Triad” triangular pencils, like these:


Maybe . . . at some point between 1933 and 1940, when the “Triangle Pencil Company” was formed, announcements indicated that Triangle had been assigned all of the failed Tri-Pen Manufacturing Company’s patents, including Tri-Pen's design patent for its triangular pencils. That squares exactly with this patriotic World War II pencil in red, white, and blue marked with Triangle’s name – by then, both Tri-Pen and Improved were likely gone. See “Rekindled and Settled Once and For All” (October 15, 2018: Volume 5, page 269):


One last footnote in the Improved Pencil Company story: in 2018, I had to go through extensive gymnastics to piece together the information to be gleaned from snippet views of a 1926 advertisement for the Improved Pencil Company published in The Fourth Estate. That information is now in the public domain and I can share with you the full announcement:


What we had to deduce before, we can now see with our own eyes: the notice clearly identifies Improved as the manufacturer of the Sta-Rite. Although there wasn’t any other information about the Improved Pencil Company other than what I previously deduced, there was one curious other detail found on that same page in The Fourth Estate:


This is the only advertisement I have seen for the Rex Manufacturing Company – and it appears to advertise “four horsemen” Webster pencils for sale on its own account, before the Webster name was sold off to Sears, Roebuck & Co.

The only common denominator between this Rex advertisement and the Improved Pencil Company is the author’s freakish obsession with researching both of them. At least, that’s the only common denominator as of right now. 

It is worth dropping here, not just because I’m a “Rexist.” It is a tremendous coincidence that two Providence manufacturers of writing instruments happened to advertise on the same page in a national magazine, and I don’t generally believe in such coincidences. This might lead to further evidence of connections between the Rex Manufacturing Company and the Improved Pencil Company that I’m not yet prepared to suggest.

Friday, May 1, 2020

Rather than Curse the Darkness

This article has been edited and included in The Leadhead's Pencil Blog Volume 6, now on sale at The Legendary Lead Company.  I have just a few hard copies left of the first printing, available here, and an ebook version in pdf format is available for download here.

If you don't want the book but you enjoy this article, please consider supporting the Blog project here.

April of 2020, the most hellish month most of us can remember, is over.  It seemed appropriate to light a pencil rather than curse the darkness, and there’s a few lighter pencils that have come my way recently that I’ve got to show you.

The first was this one:


This one came my way in a lot of junkers – my real target in buying the bunch was that bronze and black Gordon I wrote about a week ago.  I always carefully inspect everything that comes in the door, and this one was marked “Jugo” on the clip:


And since I also have to take everything apart that comes in the door, it wasn’t long before I found out it was a lighter pencil:


Complete with an unusual lighter assembly, built different from the usual cylindrical lighter unit that just slips down inside the barrel.  The lighter part just screws into the top end of the barrel, acting as a kind of cork on top of a barrel full of lighter fluid:


Trick pencils like this are something I enjoy, so I went to put it with the other lighter pencils in one of my drawers full of bad ideas.  That’s when I found something I forgot I had:


This wasn’t my first Jugo, and the other example is mint, boxed and with paperwork.  The silver one has a clip that’s actually built into the barrel rather than a washer clip:


The instruction sheet indicates that the Jugo Corporation was located at 600 West 52nd Street, New York:


While I was putting the new Jugo in its place alongside this one, I noticed another lighter pencil I had forgotten that I had. 


I vaguely remember buying this years ago, and it has a lot in common with those Osborne overlays I was showing off recently (see “Customer Number 600 at https://leadheadpencils.blogspot.com/2020/04/customer-number-600.html). 


What surprised me the most was that I apparently had never disturbed those tissue-thin instructions to see what was inside them.  At some point I must have put it away intending to get around to doing that, but for whatever reason I never did. 

Better late than never:


The instructions for the “Literpencil” are just wonderful, with nice comic book like illustrations, a great logo, and . . . wait a tick . . .


I’ll be darned.  I guess I already knew these were Osborne products, after all!  And it’s even dated, to 1934:


I’ve got one more lighter pencil to show you - I teased the audience on Facebook with it, along with a suggestion that it might make a Waterman fan’s head explode:


The clip is unmistakably the same one found on the Waterman Patrician - here it is alongside the Patrician from yesterday’s article, and flanked on the other side by a “Sta-Rite” pencil:


I’d written about the mystery surrounding how a Waterman Patrician clip wound up on a third-tier Sta-Rite in October, 2018 (see https://leadheadpencils.blogspot.com/2018/10/two-puzzling-details.html):


Did Waterman make a lighter pencil?  That is a tantalizing thought . . . especially given some sharp gasps heard when I shared a picture of this pencil without any explanation.  However, this one isn’t marked . . . and now that I’ve found both this and a Sta-Rite with that same clip, I’m less likely to think this is authentic Waterman; more likely is that Waterman sold off leftover clips, as unlikely as that sounds given Waterman’s propensity to use up old parts on closeout models.

The way this one is put together might provide a clue as to whom Waterman sold these clips.


 You’ve seen that here before, a long, long time ago:



Back in 2013, I wrote about this pencil (the article is in the books, in The Leadhead’s Pencil Blog Volume 2, page 18).  That one was marked A.M.W., an acronym for Art Metal Works, makers of the ubiquitous Penciliter.  Included in the article was the patent associated with this pencil, awarded to Louis Aronson (whose name formed the basis for the trade name he adopted - "Ronson") on June 8, 1920 as number 1,342,838.


And. . . Aronson did adapt this early design to something very similar to today’s mystery pencil – the “Lite-O-Rite” (see The Leadhead’s Pencil Blog Vol. 1, page 142):


But there’s something that doesn’t make sense here.  Every Art Metal Works product was marked to the hilt like an Egyptian obelisk.  I’m convinced if the company had stayed in business any longer they would have made the pencils an inch bigger to accommodate all the latest patent numbers!

So we have a completely unmarked pencil, with a Waterman patented clip and an Art Metal Works patented lighter unit.  Did one license to the other, did both of them license to some third party or did neither of them license to some huckster who pirated both of their designs?

Maybe.

Saturday, October 20, 2018

Two Puzzling Details

This article has been edited and included in The Leadhead's Pencil Blog Volume 5; copies are available print on demand through Amazon here, and I offer an ebook version in pdf format at the Legendary Lead Company here.

If you don't want the book but you enjoy this article, please consider supporting the Blog project here.

The Sta-Rite appears in The Catalogue on page 151.  At the time I only had turned up a few of the plastic models, and since I didn’t catch the hyphen in the name on the clip, I identified them as the “Starite.”  The metal examples I’ve stumbled across since the book was written:


Early metal ones have a nice script logo stamped on them:


While most plastic ones have the name in vertical block print, I have found one with that script imprint:


There’s two things that bug me about the Sta-Rite, one of which I’ve mostly figured out and the second . . . well, you’ll see about that.  The first is a tantalizing snippet view from the May 29, 1926 edition of Fourth Estate, which told me almost everything I want to know: the manufacturers of Sta-Rite pens and pencils were located at 158 Pine Street, Providence, Rhode Island . . . but it didn’t tell me who the manufacturer was.  The cut-off advertisement even suggests there’s a trademark filed, but none turned up in the course of researching American Writing Instrument Trademarks.


After far too much flailing around, I was finally able to generate a snippet which provided the preceding few words:  Improved Pencil Company.  Now that’s a company with which I’m familiar!  It was established in 1922, according to this announcement in the Jewelers’ Circular on January 11, 1922:



The company was on my radar for another reason entirely: in 1933, the Improved Pencil Company moved into the former facilities of The Tri-Pen Manufacturing Company, makers of Triad pens and pencils – see Volume 2, page 73. 

Now for the second head-scratcher concerning the Sta-Rite.  Recently, I brought this example home:


If that clip looks familiar, it should:


That’s a Waterman Patrician.


With the same clip, protected by Waterman’s design patents:


We know from the “closeout Patricians” that Waterman used up old Patrician parts until they were exhausted – the company didn’t sell them off to some jobber to stamp with a third-tier brand name!