Showing posts with label Scripto. Show all posts
Showing posts with label Scripto. Show all posts

Thursday, June 10, 2021

Frozen In Time

This article has been included in The Leadhead's Pencil Blog Volume 7, now available here.


If you don't want the book but you enjoy the article, please consider supporting the Blog project here.

This one went around the block a few times in the online auctions before I finally caved.  The price made me gulp a little bit, but I knew it was worth it:  “That’s a fair price,” as Rob Bader says, “but I was looking for an unfair price”:


It’s a Scripto salesman’s kit, and it is completely intact.  Mounted inside the lid are directions for operating Scripto pencils, “Sharpont” pencils and “Duopont” (double ended) pencils.  Note that the Duopont page reads “see other side”:



None of the materials are dated, but I wrote about a nearly identical Duopont instruction sheet in Volume 3, page 234-235, which was dated September 1, 1932 on the back side.   


The box lid includes an admonishment to “Mr. Salesman” not to give away any of the contents of the kit and “destroy the effectiveness of this outfit”:


Whoever was entrusted with the care of this kit must have taken that warning to heart – even the pencil packaged in an envelope, “a Scripto pearl pencil for your personal use,” is undisturbed:


Included are slightly weathered pages detailing Scripto products, primarily dealer’s displays.  The first three have wonderful artwork:




The fourth, however, is invaluable to fans of the Scripto brand: a detailed list of model numbers with descriptions:


Remember that warning to “Mr. Salesman” not to give away any of the contents of this outfit?  The kit includes a fully stocked display of Scripto pencils, all marked with model numbers matching the printed list:


. . . stamped “Salesman’s Sample” on the back side, no less:


There are four examples of the Scripto No. 4, two with round barrels and two with hexagonal ones:


Scripto’s accommodation clips sure were classy:


In addition to the model name painted on the barrel, it’s also stamped on the top:


Model D4 designated the same pencil, but in “Duo-Color,” and there’s four of those here, too:


The top ferrule on these is more clearly stamped, with the D4 designation as well as another detail which helps date this:


There’s a reference to patent number 1,853,560, which was applied for by Paul S. Hauton of Newark, New Jersey on March 28, 1928.  The patent was issued (and the number assigned) on April 12, 1932, which fits perfectly into the assumption that this kit dates from 1932:


Incidentally, Hauton’s patent was assigned to “The Atlantic Manufacturing Company,” a Georgia corporation - not to Scripto.  Whether that was a manufacturing subsidiary or something else, I don’t know.

Here’s the last four pencils in the display:


The “P” prefix stood for Pearl, and while the P4 is bigger than the P35, the P4 is referred to as a Pocket Pencil.  


Third down is the Model 10 “Sharpont,” which according to the product list was a “magazine” pencil, with a chamber for spare leads – shipped without spare leads, though.  The upper ferrule is something I haven’t seen before: there’s the model 10 designation, and Scripto’s distinctive “Sharpont” logo.  


Last is the Model 5 “desk pencil.”  In addition to its unusually long size, the Model 5 has a more elaborately stamped ferrule, with Scripto’s script logo rather than the company name in plain block text.  It also bears Hutton’s 1932 patent number:


Not much has been left out of this product sampling.  On the product sheet, only the Model D10 (the Sharpont in “duo-color” paint), the No. 3 “Purse-Golf pencil” and No. 33 Duopont “Double-tip” pencil are unrepresented.  The Duopont was covered in that article back in Volume 3.


I don’t have a plain old Model 3 in my collection, but I do have one stamped P3 . . . and it’s identical, other than the model designation to the P35. 


As for that Model D10 . . . boy, that would be nice to see.  Until this kit came along, I had no idea Scripto offered those neat “duo-color” paint jobs, and finding one with the Sharpont imprint too would be neat.

Saturday, May 22, 2021

Closet Enthusiasts

This article has been included in The Leadhead's Pencil Blog Volume 7, now available here.


If you don't want the book but you enjoy the article, please consider supporting the Blog project here.

“No really . . . some of my best friends are pencil collectors.”   Seems like I hear that every time a pen guy says pencils really aren’t his thing at a show, after he’s been standing in front of my table long enough that I’ll ask him if he wants to have a look at something.

I’ll smile inside.  Most of the time, we’ll chat . . . they actually do want to look at something . . . and they’ll end up taking one with them.  And some lead, while they’re here.   As Janet says, two is a coincidence and three is a collection, and I’m sure these guys are looking at coincidences in the rear view mirror.  

I was chatting with a friend the other day who had just taken in a collection from a guy that died – he was actually surprised that there wasn’t a single pencil in the entire pen collection.  It’s become the norm to have a few pencils about, even though most of us call ourselves “pen collectors.”  I do the same thing too sometimes, telling people I don’t know that I collect pens - for whatever reason, it’s just easier to explain.  Maybe I’m just saving a syllable.

Pen collectors have been both drawn to and a little ashamed of their affinity for pencils as long as I’ve been collecting, although the stigma of being a “pencil guy” has disappeared.  When I started collecting twenty years ago, fountain pens were a serious, high-stakes business.  People attended pen shows with thousands of dollars in their pockets, investing in a bull market one thousand-dollar pen at a time.  Pencils?  They just weren’t worth anyone’s time.

Times have changed.  These days, people appreciate that pencils have their own, distinct appeal.  Their colors are perfectly preserved, they have their own “build a better mousetrap” gadgetry, and they always work . . . or usually, anyway . . . at least you can leave a piece of lead in one for years and it will write when you pick it up without missing a beat.

And “low-stakes” no longer means lowbrow – yes, pencils still are generally less expensive than their inky cousins, but people have come to realize and appreciate that smaller investments in the things we enjoy leaves more of an opportunity to relax and have fun.

Even people you wouldn’t expect, like prolific author and pen restorer Richard Binder, who engaged me in conversation recently about a subject you would assume wouldn’t be worth the time of day in polite pen society:


Richard wanted to add information to his Pen “Glossopedia” about these lowly baseball bat pencils, and he was wondering if I had information to confirm or deny that they were made by Scripto in Atlanta.  Anyone can spin a miniature bat and stuff a rudimentary pencil mechanism in one end, I said, and while I didn’t have any proof that Scripto made them, I did have proof of one company that did:


The top pencil in that picture is one of the most common varieties along these lines – commemorating the 100th Anniversary (ish, of course) of the game of baseball.  The next one has an imprint for the United States Military Academy – take from that whatever you will . . . 


. . . as well as something that provides more than just a guess as to whom might have made at least some of these:


The Louis F. Dow Company of St. Paul, Minnesota, like its crosstown competitor Brown and Bigelow (makers of the Redipoint line), specialized mostly in campy stuff like these made for advertising purposes, including cigar-shaped wood pencils complete with mock paper bands:


As well as that puzzling but hysterical example at the bottom: “Dow’s Original Sausage Pencil.”


Richard and I went through the evidence together, and all I could do was draw my usual line between who manufactures a pencil (actually makes it), versus who produces it (has it made for them to sell to the public).  

Then, however, I met with Margaret Jacoby to pick up the rest of Don’s collection.  As she showed me drawer after drawer of pencils (Don, like me, never had any shame about liking the things), there was a drawer of kitchey stuff, including a few bat pencils as well as something I had to message to Richard, right there from the table:


There it is . . . the “M” word . . . clarifying that Dow actually made at least some of these things.  When I got home, I flattened it out a bit better:


“Easy to write with . . . fun to own.”  That’s what I’ve been saying about these things all along!  

Still, the notion that Scripto might also have had something to do with these left some nagging questions, which were answered in what I would consider an unlikely place.  A website dedicated to the 100th Anniversary of Baseball in 1939 (1939baseball.com) celebrates everything in connection with that glorious year in our American pastime.  For a generalized website, this one has a surprisingly detailed dissertation on the art of the baseball bat pencil on a dedicated subpage.  

The author attributes bat pencils in darker finishes and smooth nose cones with Dow, and lighter finishes with grooves around the nose with Scripto.


Although these words are spoken with authority there’s still plenty of room for discussion, starting with the fact that pencil mechanisms may have been sourced by either company separately from the bats themselves.  Maybe I’m putting too fine a point on this issue, but I’d like to see paperwork accompanying a light-colored bat pencil with a grooved nose that has the same “manufactured by” language on the paperwork before I’d accept the conclusion as ironclad.

The humble baseball bat has wormed its way into Richard’s heart, and therefore into his online “Glossopedia” at Richardpens.com – in the entry for Scripto, although if the 1939baseball.com article is correct, the pencil he shows is a Dow.   Dow hasn’t yet warranted an entry of its own, over at Richard’s website . . . oh, but I’m sure Richard hears the company banging more persistently on his door these days!

It's like a tube of Pringles.  You can’t stick your head in that rabbit hole just once . . . 


Unmarked bowling pin pencils, like baseball bats, are a fairly common sight, and ordinarily even I wouldn’t bother to specifically chase one – especially when, like this one, someone apparently poked holes on either side of the neck to accommodate a keychain or something.  But this one had just a little bit more to it:


The auction listing described it as a “Herrin” pencil, but on close examination I can see “HEDPIN,” as in the head pin in a bowling alley.  It’s too small to be an advertisement . . .   and . . . it looks like whatever was written in the bottom of that shield was deliberately but crudely painted over.

The clues were enough to lead me to an old auction listing for another example of the “HEDPIN,” without the obliteration of the rest of the message:


The pictures weren’t helpful, but the title of the auction was: “F.E. Farrant, Marion, Ohio."  If you squint really hard when you look at that picture while thinking that’s what it’s supposed to say, that looks about right.  I was able to confirm a person by that name in that city:


A series of notices in The Marion Star in September, 1949 advertised that the contents of a storage unit owned by F.E. Farrant, “in the first building North of The Highway Rollerina,” was scheduled to be auctioned.  There’s no way to know what Farrant had in storage, but if the lucky winner happened across a treasure trove of unsold “Hedpin” pencils, it would make sense that some would turn up with Farrant’s name painted over – but not the catchy name.

I haven’t found anything else concerning the Hedpin, and outside of these two examples I haven’t seen others marked.  In the absence of the “M” word anywhere, all we can do is guess a bit based on what we might know about the baseball bat pencils.  All the ones I have seen are lighter colored, and those with metal tips have grooves — so if the 1939baseball site is correct, Scripto might have had something to do with these.  However, sometimes these are found with red plastic tips instead (suggesting wartime production); as shown on the “Sausage Pencil” above, we know Dow used those tips – and I haven’t seen one on a Scripto.

Campy, funny and addictive.  I might as well grab that can of Pringles - can’t have just one, after all.


Sunday, March 11, 2018

Larry Derails Me (A Little Bit)

This article has been edited and included in The Leadhead's Pencil Blog Volume 5; copies are available print on demand through Amazon here, and I offer an ebook version in pdf format at the Legendary Lead Company here.

If you don't want the book but you enjoy this article, please consider supporting the Blog project here.

My friend Larry Liebman bequeathed this one to me:


It’s a Quickpoint, with really cool graphics advertising the Rock Island railway:


The gift was an invitation - to start a niche collection.  No, Larry doesn’t collect Quickpoints . . . at least not specifically.  What he does collect are pencils with trains on them:




The thought is intriguing.   My collection has always been organized by manufacturer, and whatever personalization they have, whether it be a name or an advertising imprint, is incidental. Otherwise, it would be nearly impossible to navigate my way around the museum and find something . . . or anything.  I have made just a few exceptions, and each time the results have been disastrous.  There's this grouping of all of my ebonized pearl Sheaffer Balances around the super hard to find golf pencil:


Since I had separated these from my other Sheaffers to group them by material rather than by construction, when I pulled together all of my Sheaffer special-banded Balances for a family photo I posted on facebook, I forgot to pull the ebonized pearl double band out of its special corral to join in the shot:


So there’s a shot I’ve got to redo.

Then there was the “Parker bridge pencil panic of 2017" – the case of a lost, very rare and very expensive pencil that I was more than a little frantic trying to find when I reorganized the museum last year.  After a couple hours of searching, I finally remembered that at some point I decided it would look nice with my other card-themed pencils (in particular, with my Parker bridge set).  There it was, much to my relief, lounging across the red suit bases:


Aggravation notwithstanding, the sight of Larry’s spread of train-themed pencils did stir a question in my mind . . . I’ve got literally hundreds of advertising pencils like this, many of which haven’t been organized yet and are piled up in drawers and cigar boxes.  Like my early days of collecting Sheaffer pencils, if I see something neat I pull it aside to think about more someday, and someday hasn’t come yet. 

I’m sure a cool picture of a train has generally spiked my neat-o-meter enough to throw the switch and redirect it to the roundhouse – but the roundhouse for the manufacturer of the pencil, not a newly-constructed one just for train pencils. 

How many do I have with railway advertising, I wonder? 

After that earworm got into my head, this Scripto Wordmaster passed into my hands, clustered together in a lot of pencils I bought for something else.  I pulled it aside, but it didn’t make it to the drawer containing my other Scripto Wordmasters.  It’s still sitting in a pretty random place, on the showcase that holds my Ruxton Multi-Vider prototypes, for two reasons . . .


First, it has a train on it. 

Second, I can't find the Quickpoint now to put them together.  After I photographed it, I didn’t put it with my other Quickpoints . . . now THAT’S a first . . . and because I didn’t, hell if I know where it is!  Apparently I took Larry's invitation to heart and put it somewhere by itself, alone in some out-of-the-way new roundhouse and waiting for other new arrivals.  I’m probably going to spend a lot more time than I care to admit going through every drawer looking for a $2 Quickpoint with a picture of a train on it.

Until I do, that Scripto is going to stay right where it is – in a random but front-and-center spot where I’ll be able to find it again when the other one surfaces. 

Then, as Janet and I always say, two’s a coincidence and three is a collection.  I’m sure I have a collection at this point.  I just haven’t collected them together yet.

Thanks a lot, Larry - looks like I”ve got one foot aboard a new train.

Tuesday, August 1, 2017

Not Your Garden Variety Scripto

This article has been edited and included in The Leadhead's Pencil Blog Volume 5; copies are available print on demand through Amazon here, and I offer an ebook version in pdf format at the Legendary Lead Company here.

If you don't want the book but you enjoy this article, please consider supporting the Blog project here.

A couple years ago, I bought this one from Michael Little . . . and promptly misplaced it, lost in a sea of ordinary metal Scripto pencils:


Ever since, I’ve been afraid to part with any metal Scripto, because I knew it probably had to be in there . . . somewhere.  I was relieved when I reorganized things around the museum a few weeks ago to see it turn up.

It’s got the same Scripto metal hexagonal barrel, and the same faceted accommodation clip you’ll see on a Scripto, but the clip doesn’t say Scripto:


“G-M Inc.”  And the top section, where you’ll normally find the familiar Scripto imprint?


“Rite-Ezee / Gettier-Montanye, Inc. / Baltimore MD”

Gettier-Montanye is a specialty advertising company, like Brown & Bigelow and Alexander.  The company is still in business, although it doesn’t offer writing instruments anymore, claiming a founding date of 1922 on its website.

What is somewhat interesting for an ordinary specialty advertising firm is the adoption of a model name for a writing instrument: Rite-Ezee – but we know that’s exactly what they did, thanks to a great new book on the subject, American Writing Instrument Trademarks 1870-1953 (shameless plug ... the book is available at http://www.legendaryleadcompany.com/store/c2/Books_by_Jonathan_Veley.html):



United States Trademark number 343,631 was applied for on October 17, 1936 and registered on February 23, 1937.


Carlyle N. Montanye, the company’s president, claimed that the name was first used on or about June 1, 1935.  We know Montanye’s first name was Carlyle because he spelled his name out when he refiled the Rite-Ezee trademark after the Lanham Act of 1946, as number 515,370.

In the case of this Scripto-made pencil, it was easy to associate Rite-Ezee with Gettier-Montanye . . . but that isn’t always the case.  After I started this article, I scoped around online and found this one:



Unlike the Scripto-made example, this doesn’t have the Gettier-Montanye name on it – just “Rite-Ezee” on the clip:


I’ve always associated pencils like these, with shorter lower barrels and longer upper barrels, with the Joseph Lipic Company of St. Louis.