Eversharp: Cornerstone of an Industry has been out for just about a year now, and it wouldn’t be the success that it is without a dedicated peanut gallery of collectors who helped me round things up to include in its pages. You might be tempted to think that 434 pages would cover the subject in its entirety . . . and you would be wrong. That’s why mechanical pencils have held my fascination for more than 25 years - I’ll never be “finished” as long as new things crawl out of the woodwork.
And crawl they have – in fact, increased interest in the brand after the book came out has picked up the pace of new finds from crawl, to leisurely stroll, to a jog . . . yielding quite a few updates to report in a relatively short period of time.
The monster chapter in Eversharp was Chapter Four, which presents the most comprehensive guide ever published to metal Eversharp pencils made by the Wahl Company between 1917 and 1930. The law of inertia applies, and a peanut gallery in motion has remained in motion to tell me, show me, and sell me things that I would have included in the book had I known about them. Things like these:
David Yager and I like to get together at the Baltimore and DC Shows, and we made arrangements to meet during a somewhat quiet time at DC this year for him to show me these. I couldn’t pry them away from him, but I settled for “half mine” – that is, when he’s done enjoying them, I’ll get the chance to be their next caretaker.
Turn to page 111 in the Eversharp book, and in Figure 4-155 you’ll see that top pattern included in a group of unfinished, experimental barrels residing in Jack Leone’s collection. David’s clipless example is the only one of these that I have seen finished into a working pencil. It is a post-1924 Improved Eversharp (see pages 70 and 71 in the book for the changes Wahl introduced in 1924), consistent with dating those experimental barrels to 1927 or 1928. It combines Wahl's Colonial pattern with alternating bands of rings:
David’s other example is pre-1924 and it is . . . unprecedented in my experience. It is engine-turned across its entire barrel surface, like “Ripple” (Eversharp, page 92) or “Charlie Brown” (Eversharp, page 116), but the bumps in the engine turning have been changed to create hexagons – since I’m breaking the news and David didn’t tell me how he describes it, I’ll take a shot at dubbing an appropriate nickname: “Honeycomb” seems appropriate.
Now that I’ve photographed them, back they go to David until the day he’s ready to part with them. The top example in this next image was also borrowed:
The silver plated example is owned by Roger Veley – or “Dad,” as I call him. A few years ago, while we were working on the Autopoint book, I helped Dad photograph other things in his collection, including his Eversharps. I forgot that I had taken a picture of it when I wrote the book, because at the time, I didn’t understand what it was . . . in fact, none of us knew what it was, until Larry Liebman loaned me an original copy of Wahl’s 1929 catalog as I was writing the book.
With Larry’s help, I was able to identify this pattern on page 112 of the Eversharp book as “Engine Turned” – that appears to have been Wahl’s formal name for the pattern. This “Engine Turned” pattern is a simplified version of “Lakeside” (Eversharp, page 104), which had blue enamel on the unengraved areas of the barrel. Wahl called it a “Champlevé” pattern, even though that isn’t technically correct: the Champlevé technique traditionally has colored enamel in the recessed areas, rather than on the exposed high points.
Jack Leone’s set of experimental barrels includes other Champlevé-style patterns (Eversharp, pages 109-110), including a Lakeside-ish patterned pen with orange enamel instead of blue. I hesitated to call that orange one “Lakeside,” since the only documentation of the name – a 1928 advertisement in the Saturday Evening Post – doesn’t say whether “Lakeside” means blue enamel with this engraving, or whether the name included the same engraving accented with other colors.
The other pencil in that last image has the same engraving as the Lakeside, but without the blue enamel – I included my short military-clip example on page 112 in the book. Gabriel Galecia Goldsmith included this full-length example in that bunch he sold me a few months ago (see “All Boxed In” on August 27, 2025). Here is a detail of my Lakeside as shown on page 104 in the Eversharp book, alongside Gabriel’s example and the one I borrowed from Dad:
At least I can offer a more complete image . . . although the ringtop in “Engine Turned” shown on page 112 was on loan from Matt McColm, so until I find my own or borrow Matt's again, this will have to do:
As I was photographing these, I noticed something. While my military-clip example has absolutely no traces of the blue enamel seen on the Lakeside, the example I got from Gabriel has intact blue enamel underneath the clip:
That observation, unfortunately, leads to my first official correction of something I wrote in the Eversharp book. In describing this pattern, I wrote, “although the engraving is the same [as the Lakeside], the barrel also has fine ribbing.” My example of the Lakeside is in very good but not perfect condition, and when I looked at it more closely . . .
The Lakeside also had that fine ribbing – likely to better promote adhesion of the enamel. That correction, however, raises yet another question.
If you examine those last two images closely, you’ll notice that while Gabriel’s pencil (and my military-clip example) have clearly visible gold fill in all unengraved areas, my Lakeside does not. I still cannot rule out the possibility that those with gold fill in the unengraved areas were never intended to have enamel applied to them – Wahl did something similar with its tinted barrel designs (Eversharp, pages 103 and 117), which sometimes had the tinting and sometimes did not. With luck, documentation might surface to prove that Wahl offered pencils with Lakeside engraving, sometimes with blue enamel and sometimes as a gold-on-silver unpainted version – maybe called “Lakeside,” maybe called something else.
Or, says Occam standing by with his razor, maybe the enamel on Gabriel’s pencil became so badly damaged that someone over the course of the last century stripped off whatever they could reach to make it look better. Either way, I’m still proud to own it.
Gabriel included another metal Eversharp in that last bunch he sold to me:
This one has a medallion secured to the clip that looks like a choo-choo at first blush.
Choo-choos, however, do not have hand cranks on the boiler. No, this is an accurate representation of a Todd Protectograph Check Writer, which was used to emboss the amount on checks to prevent alteration. The Todd Protectograph Company of Rochester, New York unveiled its 1918 Model in advertisements published beginning in 1917:
These last two finds arrived via online auctions – a different sort of peanut gallery, but a fruitful (or nut-full) one nonetheless. Whenever a fleur-de-lis Eversharp comes along, I have to bite on them: they are so hard to find that I’m always hoping to learn something new when I get one in hand:
I covered these on page 79 in the Eversharp book: they were uncataloged – at least, not in the catalogs that are available as of today (the earliest Wahl catalog in the PCA’s library dates to 1919). The fleur-de-lis pattern was patented by John C. Wahl, who applied for design patent number 56,681 on November 19, 1919:
Unfortunately, this pattern is usually very faint, particularly on the gold-filled examples, and this new find is no exception:
However, there is something loud and clear on this one that adds to my understanding about these: the imprint. On page 79 in Eversharp, I had dated the fleur-de-lis pattern to early 1917, since all of the examples I had found had imprints reading “Wahl Ever Sharp,” with “Ever Sharp” in two words. As I explained on page 68 in Eversharp, Wahl changed the imprints on its pencils several times: the “Wahl Ever Sharp” imprint (Type 2, I called it) was in use between mid-1916, when Wahl acquired a controlling interest in the Eversharp Pencil Company, and mid-1917, when Wahl contracted “Eversharp” to one word.
The engraving may be faint, but the imprint on this new find is loud and clear:
“Eversharp” in one word, with “Patented” spelled out. This is what I called a Type 3 imprint, because Wahl added “Made in U.S.A.” to its Type 4 imprints after establishing an English subsidiary in 1920. Since this is the only example I have found with this imprint, my very small sampling suggests, as the book indicates, that the vast majority of these were made before mid-1917; this example, however, proves that some were made later, but still before that 1919 catalog was published.
Our last update – for today – was something I scooped up because the opening bid was cheap and nobody else caught what was special about it. I was confident that I had one and thought I might make a buck or two selling it at the next show:
My confidence was misplaced. I saw that the lead was thicker than usual, but between the fuzzy online pictures and my failure to really look closely at it, I assumed it was a Series 7 Eversharp – a standard girth barrel, but fitted for fatter leads measuring .075", nearly twice the normal diameter. On page 105 in Eversharp, I showed two examples: a Model 761 in Check pattern and a Model 714 in Grecian Border (model numbers were the same as for regular Eversharps but with a leading number 7 to denote the larger lead size). I also indicated that there was a Dart pattern model 724 and a silver plate Model 720, both cataloged in 1925.
No Wahl catalog indicates that a plain, gold filled Model 760 was offered, so I should have been chasing this one as an avid collector rather than as a casual investor. However, this isn’t a Model 760, either . . . it is something else entirely. The lead size measures .120" – that’s checking pencil size. Shown here from top are a regular size .046" Eversharp, my Model 761 with .075" lead, this new find, and a Model 67 “Executive” Checking Pencil manufactured between 1922 and 1928.
Executive Checking pencils are covered in Chapter Five in the Eversharp book, along with the usual enameled checking pencils Eversharp made between 1921 and 1929. All of the Executive models shown on page 136 in the book were made between 1922 and 1928 – they were a little longer than this new example, and they all have that distinctive tip with a pronounced bevel:
The Executive also retained the Eversharp’s flat pre-1924 clip in all of its cataloged appearances, long after the improved clip found on this new example entered production on non-checking pencil models.
The shorter size, ribbed clip and different tip all conclusively identify this new addition as something I had not seen before in person: a 1929 Eversharp Executive . . . ish.
On page 138 in Eversharp, I included this image to illustrate the three generations of Wahl’s checking pencils, from the 1921 Eversharp 100 at top, the checking pencils made between 1922 and 1928, and at bottom the redesigned Wahl checking pencil of 1929:
On page 137 in Eversharp, I include this page from Larry’s copy of Wahl’s 1929 catalog, showing these redesigned checking pencils. The page includes a plain, gold filled checking pencil as Model 30260C. It is no longer called the “Executive” (hence the “ish”), but the text states that all of them, enameled or gold filled, were “much in demand by executives, accountants, shipping clerks and stock keepers.”
I didn’t specifically mention in the book that the Eversharp Executive was offered after 1928, mostly because I had never seen one. Now I have:
And my next challenge is to find an example of the 1921 Eversharp 100 in Executive configuration. Yes, I went back and rechecked Wahl’s 1921 catalog, and yes, they are only listed with painted enamel barrels.
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