Tuesday, September 6, 2016

Before Salz Was Salz, Part II

This article has been edited and included in The Leadhead's Pencil Blog Volume 4; copies are available print on demand through Amazon here, and I offer an ebook version in pdf format at the Legendary Lead Company here.

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(Note: the first part of this story can be found at 
http://leadheadpencils.blogspot.com/2016/09/before-salz-was-salz-part-i.html).

Sometime in 1921, The Pencil Products Corporation adapted Lucifer J. Most’s existing design to a large, hard rubber pencil.  Every time I’ve picked one up, it has a little different ring here, or a variation on the imprint there.   I haven’t released one back into the wild as a duplicate yet:


One thing most examples have in common - other than the black hard rubber barrels - is the great imprints you’ll find on the caps:


“Pencil Products Corp. / Pat. Dec. 23, 1919" on the metal cap, and on the barrel, “Pat. Dec. 23, 1919 / Other Pending.”  The “others pending” doubtless refers to Lucifer J. Most’s 1922 patent, which was applied for in 1918 but wasn’t issued until 1922.

Another feature to nearly all (we’ll get to that qualifier later) ‘Salrites is the clip, which is a one-piece affair which wraps around the barrel:


Although these clips are marked “Pat. Pend.” in various places, I’ve never found a patent which was issued during this time frame.   Either one was applied for but never issued, was ultimately denied, or was filed in some other country or not at all:


The first mention I found of the new hard rubber ‘Salrites is in this advertisement run by James McCreery & Co., a New York City department store.  The advertisement ran in the September 7, 1921 issue of the New York Evening World:


Judging from the advertising which followed, the new hard rubber Salrites were a spectacular hit.  Pencil Products Corporation (not Salz Brothers, you’ll note) ran full page advertisements in The New York Times between October and December, 1921:




But in 1922, there appeared to have been something of a shakeup over at Pencil Products Corporation.  The Harrisburg Telegraph ran an advertisement for the ‘Salrite on March, 1922, and you’ll note that a tiny “z” has been interposed in the middle of the name . . . were the Salz family literally squeezing out their partner and the inventor of the pencil, Lucifer Most?


Just a month later, in an advertisement that ran in the Evening World on April 24, 1922, James McCreery & Co. announced that Pencil Products had ceased manufacturing metal pencils.


And on September 24, 1922, Lucifer J. Most applied for a patent for another new pencil – it was issued on September 1, 1925 as number 1,551,604 and was assigned – wait for it – to Mabie Todd:


More on that one tomorrow.

Then came the company’s legal problems: The Sandfelder Corporation, owner of the “Shur Rite” trademark for mechanical pencils, objected to Pencil Products’ attempt to register ‘Salrite as a trademark, claiming that the names sounded so similar that the public might be confused.  It seemed like a stretch to me, but when I read the initial announcement in Geyer’s Stationer of the Sta-Sharp pencil from yesterday’s article, that reference to the Salz “Shur Hold” clip got me to thinking there was probably much more evidence of Salz capitalizing on the Shur Rite trade mark than came to light in this decision.  Ultimately, the Patent office denied registration of the trademark on grounds of likelihood of confusion: that’s a death sentence for the name, since one such finding would inevitably lead to an injunction from using the name by the Federal Trade Commission.


As the decision was announced in March, 1923, ‘Salrites were already being sold at huge discounts.  An advertisement for the pencils in the March 13, 1923 issue of the Winnipeg Tribune indicated that the factory was changing ownership:


And on August 20, 1923, another advertisement in the same paper indicated that “an old firm taken over by new management has been busy disposing of stock on hand:


The last reference I could find to ‘Salrites being offered for sale was in an inconspicuous advertisement in The Brooklyn Daily Eagle, which ran on December 6, 1923:


Wait a tick . . . “3 sizes – mottled and black”??

(Tomorrow . . . "mottled and black."  See http://leadheadpencils.blogspot.com/2016/09/before-salz-was-salz-part-iii.html.)

Monday, September 5, 2016

Before Salz Was Salz, Part I

This article has been edited and included in The Leadhead's Pencil Blog Volume 4; copies are available print on demand through Amazon here, and I offer an ebook version in pdf format at the Legendary Lead Company here.

If you don't want the book but you enjoy this article, please consider supporting the Blog project here.

Salz Brothers was founded right around the end of World War I and is associated, fairly or unfairly, with lower-quality pens and pencils imitative of higher quality brands.  The company’s early history, particularly when it comes to the pencil the company was turning out, has been murky, muddled in with a company called the “Pencil Products Corporation.”  I used to believe the Pencil Products Corporation was nothing more than a subsidiary formed to supply Salz with pencils.  Now, after researching the history, I don’t think that’s correct. I think the Pencil Products Corporation had its own independent, rich, full . . .  and Mercurial life. 

The announcement of the Pencil Products Corporation’s incorporation on March 3, 1919 was printed in The New York Times:


The initial incorporators were Ignatz Salz, J. Salz (it’s not clear which one, Jacob or James) and Lucifer J. Most, who had recently developed a new mechanical pencil.  He was awarded two patents for his pencil: the first one issued was patented on a date more familiar to collectors:  December 23, 1919.  The date refers to patent number 1,325,570, for which Most applied on June 11, 1919:


The others patent Lucifer J. Most was awarded for this pencil was eventually issued as patent number 1,420,275, which was applied for earlier – on August 25, 1918 – but wasn’t issued until June 20, 1922:


The Pencil Products Corporation wasted no time getting Lucifer’s new pencil into production.  It was initially introduced as the “Sta-Sharp,” as announced in the January 22, 1920 edition of Geyer’s Stationer:


Note that this announcement indicates that the pencils were equipped with the “Shur Hold” clip – hold that thought for just a few minutes because that detail makes something else make sense later on.  Note also that Salz Brothers is identified as “the manufacturer.”   On January 31, 1922, Salz took out a half-page ad in The American Stationer, again claiming to be the manufacturer:


There’s a few examples of the Sta-Sharp pictured in The Catalogue, three of the four of which are marked “Salz Sta-Sharp” (we’ll get to that fourth one in a minute):


Note that example at the bottom?  If it looks like a Mabie Todd “Fyne Poynt” pencil, you aren’t imagining things – and by the time this story is over, you’ll have even more to mull over on that similarity.  I’ve only got one example marked “Pat. Applied For,” and it’s the one missing the bail;


The other two are marked with the December 23, 1919 patent date:


At some point, Ignatz Salz – ever the wordsmith – came up with the catchy name ‘Salrite, a play on his last name as well as being pronounced like “It’s all right.”  I believe this happened while the Sta-Sharp was still in production; here’s a pair of pencils found in boxes marked Salz Sta-Sharp:


As an aside, note the 1919 trademark on the boxes: this is nearly identical to the Penkala logo:


The patterns on each is very similar, and for a company with a reputation for lower quality, these are pretty nice:


One has a clip marked with the “SB” in a circle (the early Salz Brothers logo), but the cap isn’t marked Sta-Sharp: instead, it has a Pencil Products Corp. imprint:



No, the metal on the cap doesn’t match the rest of the pencil, but that’s not an indication of parts being swapped out.  The Pencil Products Corporation wasn’t very picky about matching metals, and this might be an indication that remainder parts were being used up.

The other pencil has a ‘Salrite clip and a Pencil Products Corporation cap:



However, whatever success the Sta-Sharp had, bolstered by the catchy new ‘Salrite name, would soon pale in comparison to another improvement: the ‘Salrite reworked as a hard rubber pencil.

(The story continues at http://leadheadpencils.blogspot.com/2016/09/before-salz-was-salz-part-ii.html).

Sunday, September 4, 2016

Who Knew (Two)?

This article has been edited and included in The Leadhead's Pencil Blog Volume 4; copies are available print on demand through Amazon here, and I offer an ebook version in pdf format at the Legendary Lead Company here.

If you don't want the book but you enjoy this article, please consider supporting the Blog project here.

Here’s another example of a ringtop pencil which, if rarity is any guide, must be worth at least as much and probably more than the full-sized, side clip version:


This one is marked “Craig” at the top, a Sheaffer subbrand named for founder Walter’s son, Craig:


Here it is, shown alongside the more familiar and less difficult to find version:


As far as the “Patent applied for” stamped on the barrel, I’m not sure to which patent this refers, although I’m not finding anything ultimately assigned to Sheaffer which fits the bill.  These pencils bear more than a passing resemblance to aluminum barreled pencils marked “Swanberg” and “Tubit” (see http://leadheadpencils.blogspot.com/2011/12/two-bit-mystery-finally-solved.html).   I’m wondering if there might have been a fleeting Swanberg-Sheaffer partnership.

Saturday, September 3, 2016

Who Knew?

This article has been edited and included in The Leadhead's Pencil Blog Volume 4; copies are available print on demand through Amazon here, and I offer an ebook version in pdf format at the Legendary Lead Company here.

If you don't want the book but you enjoy this article, please consider supporting the Blog project here.

Nathaniel Cerf had a minute at the Chicago show to ask if I wanted to buy a little plastic container full of pencils.   Since this one was in there, why yes I said . . . yes I do:


Know what it is?  OK, I’ll give you a hint:


Here it is, shown alongside its full-sized counterpart:


The clip gives this one away:


That’s right, this is an Autopoint pencil - the tough-to-find companion to the company’s “tab filler” pens of the early 1930s (see “While Most Pen Companies Dabbled in Pencils,” at http://leadheadpencils.blogspot.com/2012/07/while-most-pen-companies-dabbled-in.html).  Who knew they made a ringtop?


Ordinarily, ringtop pens and pencils are worth something less than the side clip version - call it sexism or whatever, but there’s generally more demand for the big manly versions.  I don’t think that holds true for this one, though.

Friday, September 2, 2016

A Colorful Ending . . . Almost

This article has been edited and included in The Leadhead's Pencil Blog Volume 4; copies are available print on demand through Amazon here, and I offer an ebook version in pdf format at the Legendary Lead Company here.

If you don't want the book but you enjoy this article, please consider supporting the Blog project here.

I’ve been waiting for this one for a long time, so long that I’d given up on finding one:


This is part of a colorful series of utility pencils introduced by Wahl in it’s 1929 catalog:


Montgomery Ward also offered these pencils in its spring/summer 1930 catalog.  A few years ago I ran across a copy at an antique show and the owner allowed me to photograph the pen and pencil pages:


What’s interesting about the Montgomery Ward catalog is that the pencil is shown with a clip marked “WAHL” and the colors include “red,” not “coral” as the color is referred to in the Wahl catalog.  Do these variants exist?  If they do, I haven’t seen them.

Note that in both the Wahl and Montgomery Ward catalogs, the pencils are shown with matching colored tips.  They also came with black tips, and that is what interested me about this pencil, since I’ve been trying to complete a set for a long time.


If I had to guess, I’d say the black tips came later, and I’ll explain why in a minute.   The two yellow examples at the bottom bug me a little, since both are color-matched:


No big deal, I thought – the barrel is the hard part and I’ll just swap out an easier-to-find black nose off of a parts pencil.  I’ve even got the pencil, which I bought for parts to swap out a clip:


But alas, my parts pencil wasn’t much use in this case.  See, this later incarnation of the breed is equipped with an Equipoised mechanism, and the black front end is permanently fused to the colored barrel:


Rats . . . but all was not lost.  There was a transitional step in the evolution of these pencils:


These are mechanically identical to the earlier examples:


Right down to the screw-on tips – this is why I think the black tips came later.  Not only would it have been cheaper to produce all the tips in one color, but the later pencils all had black tips:


So, at last, I can offer you a family portrait more pleasing to the OCD crowd (of which I am a proud member):


Pleasing, but still not complete.  Until I’ve found another black nose, I’ve got two pencils sharing custody of one.   Oh, and there was an all-black one I haven’t found.  Oh, and . . . yeah.  That’s what perpetually keeps me going.

Thursday, September 1, 2016

Just Wasn't As Rite As I Hoped For

This article has been edited and included in The Leadhead's Pencil Blog Volume 4; copies are available print on demand through Amazon here, and I offer an ebook version in pdf format at the Legendary Lead Company here.

If you don't want the book but you enjoy this article, please consider supporting the Blog project here.

These two surfaced online in a single auction, from a seller who didn’t appear to sell many writing instruments:


I thought it was interesting that both had the same imprint, which I haven’t seen before:



“Just-Rite / P.S.M. Co.”  Note that both of these have the diamond pattern around the crown, just like what you’d find on a DeWitt-LaFrance made Signet pencil (made for the Rexall stores) and that little rib on the barrel matches what you’ll see on most Ever-Rites:


But the tops on these pull off to reveal no Sheafferesque eraser:


A search on Newspapers.com revealed three advertisements mentioning “Just-Rite” pencils, but none of them were accompanied by a picture.  The earliest was from 1922, which seems about right:


The other two were later.  This one appeared in the Portsmouth (Ohio) Daily Times on October 9, 1925:


And this one appeared in The Hutchinson (Kansas) News on September 9, 1927:


I did some scoping around to see what I could find about a “P.S.M. Co.,” and I’ve found some intriguing clues.  Here’s a watch fob chain marked P.S.M. Co., with about the same quality of material found on my pencils:


But then there were a string of hits for cufflinks marked both “Belais” and “P.S.M. Co.,” like this one:


The Belais Brothers were famous for the white gold jewelry they produced – not to add to the Internet din, but they frequently are referred to as “the gods of white gold.”  More than one source speculates that Belais made the decorative fronts of the cufflinks, while the shadowy “P.S.M. Co.” made the utilitarian business end.

I haven’t been able to figure out what P.S.M. stands for; words like “metal specialties” are frequently used in the pencil/jewelry industry, but Pencil Specialties Metal doesn’t quite make sense.  When the name emerges, I might find more clues indicating whether PSM was a customer/producer who bought pencils made by someone else, or whether they actually manufactured them.